Commentary
What We Never Leave Behind

What We Never Leave Behind

We sang the national anthem every morning before school. Our tiny white business shirts ironed and tucked in by our mothers, our striped red and black ties straightened and pinned to our chests. Across the large concrete plane that constituted both playground and football field, we lined up in two large groups and stood next to our peers before a five-metre flagpole that bore the flag of our nation: the Arab Republic of Egypt.

Commentary
Ralph Hotere: Ātete (to resist)

Ralph Hotere: Ātete (to resist)

Ralph Hotere’s art charted his journeys throughout Aotearoa and the world, reflecting on his experiences, identity and politics. As the first major survey exhibition of Hotere’s artistic career for over twenty years, Ātete celebrates his achievements and brings his vision to a new generation. It’s been a huge project to bring together so we thought it was timely to ask the four curators to tell us a little about their relationship with Hotere – how do they connect as individuals with the artist’s works, and the themes and the locations that they explore?

Commentary
Pauline Rhodes: Blue Mind

Pauline Rhodes: Blue Mind

Painted blue and patterned with rust, the thin plywood panels and screens lean nonchalantly around the walls of the gallery and form a skyline of sorts. Across the floor sculptures intersect the space, with groupings of tall rods, waist-high enclosures, clusters of plywood shapes and a small kayak frame on salvaged seaweed and driftwood. Islands for the audience to navigate. The forms are roughly human in scale and relative to the body, generating an intensity and making this an immersive installation to wade through. 

Artist Profile
Larence Shustak

Larence Shustak

Welcome to the world of Larence Shustak—a rule-breaker and image-maker who came of age in the creative cauldron that was New York City in the 1950s. He used a camera as a paintbrush, documenting as well as creatively interpreting his subjects: street people and nudes. Old folks and children. Jazz legends.

Notes
RIP Bill

RIP Bill

All of us at Christchurch Art Gallery Te Puna o Waiwhetū were very saddened to hear of the death of Bill Hammond over the weekend. Bill’s contribution to the art of Aotearoa New Zealand was original and unforgettable and he occupied a special, beloved place within the arts communities of Christchurch and Lyttelton.

Commentary
Touching Sight

Touching Sight

Working in photography, textiles and painting, Conor Clarke (Ngāi Tahu), Emma Fitts and Oliver Perkins explore ideas of perception, both how we gain awareness through our senses, and the way in which something is interpreted or understood. Bulletin invited three writers to respond to the work in progress, to consider the materials and ways of making that each artist utilises. The resulting texts from Abby Cunnane, Fayen d’Evie and Chloe Lane are exploratory themselves, and offer us new ways of thinking about the works they relate to – as sensory items, as skins, as lichen.

Commentary
Crunchify Object

Crunchify Object

      }
     return a;
}
<crunchifyObject.
G[i,j]= network connectivity matrix.

Culled from the image search “algorithms”, it is unlikely that the unconnected fragments of code above could manifest an output, but I cannot be entirely sure.

My Favourite
Marti Friedlander – Margaret Mahy

Marti Friedlander – Margaret Mahy

Marti Friedlander is my favourite Aotearoa photographer. I don’t remember the first time I saw one of her photographs, but they always feel familiar and give me a sense of warm nostalgia. Her work captures a time in New Zealand I miss – primary school cheekiness, shopping on a Saturday morning, travelling to family farms in Timaru and North Canterbury. A simpler life.

Artist interview
Ka pai e whanaunga

Ka pai e whanaunga

Nathan Pōhio: We’re going to do this whānau styles.

Areta Wilkinson: Totally. We’re going to indigenise the interview process.

NP: Tēnā koe Areta, ngā mihi nui. Your project Moa-Hunter Fashions is primarily concerned with, or comes from, thinking around whakapapa and geological history, so let’s start by talking about that, and how it pertains to what you’re doing in the exhibition.

Commentary
Painted Disciple

Painted Disciple

Curator Ken Hall takes time to closely investigate an intriguing recent acquisition.

Load more